Fragmented, divided—yet whole brings together recent works by Amanda Bennetts that use time as both material and metric for understanding the body. In Bennetts' practice, time is not linear but lived: stretched, slowed, ruptured and suspended. These shifts result from living in a body in flux, one that refuses normative rhythms and constantly requires new forms of understanding.

Across these works, Bennetts moves between different geographies and states of being. These spaces and the temporalities that govern them rarely align neatly. Instead, they accumulate as fragments of data, sensory impressions and embodied memory.

Works: I feel the weight of the minute as I bend my body toward the clock (2023), Carve Crevice from Grace (2024), Latency + Lacerations (2025) and The Metallic City Hums, Under Skin (2026).

Accompanied by a fully illustrated catalogue with an essay by Professor Susan Best, an introduction by Megan Williams, and a conversation between Bennetts and Williams (UniSC, 2026).